How can creative education become more inclusive?
I explore inclusive pedagogy, neurodiversity and accessible approaches that recognise different ways of learning, making and participating.
My academic and creative practice is shaped by questions about how people learn, participate, belong and develop confidence through creative education. I am particularly interested in the relationship between inclusion, care, access, teaching practice and the changing role of technology in learning.
I explore inclusive pedagogy, neurodiversity and accessible approaches that recognise different ways of learning, making and participating.
Widening participation, belonging and creative confidence shape how I think about access, opportunity and the conditions that help learners see themselves in creative education.
I am interested in care as a practical teaching approach: how we design learning, communicate expectations, give feedback and assess without losing rigour or humanity.
My developing work considers ethical and inclusive uses of digital tools and AI for differentiation, accessibility, feedback, planning and learner engagement.
My teaching spans higher and further education, foundation education and community learning with children, young people and adults. I develop curricula and creative learning experiences across fashion, making and multidisciplinary practice, with inclusion built into the way learning is structured rather than added afterwards.
Clear structure, accessible instructions and more than one way to engage, make, communicate and demonstrate learning.
Flexible approaches that recognise different processing, communication and sensory needs without lowering expectations.
Constructive, specific and human feedback that supports progress while maintaining appropriate academic and creative standards.
Learning environments where people can participate, take creative risks, ask questions and develop confidence in their own voice.
As Creative Head of Kent School of Fashion, I develop programmes and community provision, lead teaching and build partnerships that widen access to fashion and creative education.
My academic and educational work does not sit apart from my professional creative practice. Fashion design, pattern cutting, textiles, image-making, film and cultural storytelling all inform how I research, teach and make. This is where my academic practice connects directly back to Tolumi, The Atelier.
Design development, garment construction and pattern cutting remain central to my professional practice and technical teaching.
Explore the AtelierFabric, surface, construction and material experimentation create another route into story, process and creative inquiry.
View selected workPhotography, film and visual communication extend how I document process, share ideas and connect creative practice with wider audiences.
ExploreArt and Design Lecturer, LCCA.
Creative Head, Kent School of Fashion.
Tutor Advisory Board member (from 2025).
Fellowship (2026).
Distinction · University for the Creative Arts.
Creative Education.
Fellow of the Higher Education Academy.
Reflections on creative education, academic practice, making, culture and the questions that continue to shape my work.

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Read articleI welcome thoughtful academic, educational and creative opportunities.